"Sunt quibus in Satir'," etc. WRITTEN BY MR. LINDSAY, IN 1729 DR. SWIFT
But he by bawling news about, And aptly using brush and clout, A justice of the peace became,
Deluded mortals, whom the great Choose for companions t'te-'-t'te; Who at their dinners, en famille,
Not asking or expecting aught, One day I went to view the court, Unbent and free from care or thought,
When foes are o'ercome, we preserve them from slaughter, To be hewers of wood, and drawers of water. Now, although to draw water is not very good,
"Qui color ater erat, nunc est contrarius atro."[1] With singing of ballads, and crying of news, With whitening of buckles, and blacking of shoes,
As Lord Carteret's residence in Ireland as Viceroy was a series of cabals against the authority of the Prime Minister, he failed not, as well from his love of literature as from his hatred to Walpole, to attach to himself as much as possible the distinguished author of the Drapier Letters. By the interest which Swift soon gained with the Lord-Lieutenant, he was enabled to recommend several friends, whose High Church or Tory principles had hitherto obstructed their preferment. The task of forwarding the views of Delany, in particular, led to several of Swift's liveliest poetical effusions, while, on the other hand, he was equally active in galling, by his satire, Smedley, and other Whig beaux esprits, who, during this amphibious administration, sought the favour of a literary Lord-Lieutenant, by literary offerings and poetical adulation. These pieces, with one or two connected with the same subject, are here thrown together, as they seem to reflect light upon each other. - Scott. A lady, wise as well as fair, Whose conscience always was her care,
Never sleeping, still awake, Pleasing most when most I speak; The delight of old and young,
AGAINST WOOD'S HALFPENCE To the tune of "London is a fine town," & c. O Dublin is a fine town
Femineo generi tribuantur. The Muses, whom the richest silks array, Refuse to fling their shining gowns away;
ON SIGNORA DOMITILLA Our schoolmaster may roar i' th' fit, Of classic beauty, haec et illa;
Lesbia for ever on me rails, To talk of me she never fails. Now, hang me, but for all her art,
The Dean would visit Market-Hill, Our invitation was but slight; I said - "Why let him, if he will:"
Dull uniformity in fools I hate, who gape and sneer by rules; You, Mullinix, and slobbering C - -
WOULD you that Delville I describe? Believe me, Sir, I will not gibe: For who would be satirical
1718 Dear Dean, since in cruxes and puns you and I deal, Pray why is a woman a sieve and a riddle?
Who can believe with common sense, A bacon slice gives God offence; Or, how a herring has a charm
Behold! a proof of Irish sense; Here Irish wit is seen! When nothing's left that's worth defence,
Patron of the tuneful throng, O! too nice, and too severe! Think not, that my country song
On Britain Europe's safety lies, Britain is lost if Harley dies: Harley depends upon your skill:
Though I, alas! a prisoner be, My trade is prisoners to set free. No slave his lord's commands obeys
The joy of man, the pride of brutes, Domestic subject for disputes, Of plenty thou the emblem fair,
In youth exalted high in air, Or bathing in the waters fair, Nature to form me took delight,
By something form'd, I nothing am, Yet everything that you can name; In no place have I ever been,
Fool, to put up four crosses at your door, Put up your wife, she's CROSSER than all four.
So witches bent on bad pursuits, Assume the shapes of filthy brutes.
Ye wise, instruct me to endure An evil, which admits no cure; Or, how this evil can be borne,
THE SEAT OF GEORGE ROCHFORT, ESQ. BY DR. DELANY 'Tis so old and so ugly, and yet so convenient,
All-ruling tyrant of the earth, To vilest slaves I owe my birth, How is the greatest monarch blest,
I am jet black, as you may see, The son of pitch and gloomy night: Yet all that know me will agree,
As a thorn bush, or oaken bough, Stuck in an Irish cabin's brow, Above the door, at country fair,
INSTRUCTIONS TO A PAINTER[1] Happiest of the spaniel race, Painter, with thy colours grace:
Ye paltry underlings of state, Ye senators who love to prate; Ye rascals of inferior note,
I with borrow'd silver shine What you see is none of mine. First I show you but a quarter,
I'm not the grandson of that ass Quin;[1] Nor can you prove it, Mr. Pasquin. My grandame had gallants by twenties,
We are little airy creatures, All of different voice and features; One of us in glass is set,
An inundation, says the fable, Overflow'd a farmer's barn and stable; Whole ricks of hay and stacks of corn
Illustrious prince, we're come before ye, Who, more than in our founders, glory To be by you protected;
BY MR. LINDSAY[1] Dublin, Sept. 7, 1728. "A SLAVE to crowds, scorch'd with the summer's heats,
[1] Great cry, and little wool - is now become The plague and proverb of the weaver's loom;
Dear Sir, I think, 'tis doubly hard, Your ears and doors should both be barr'd. Can anything be more unkind?
The wise pretend to make it clear, 'Tis no great loss to lose an ear. Why are we then so fond of two,
PREFACE I have been long of opinion, that there is not a more general and greater mistake, or of worse consequences through the commerce of mankind, than the wrong judgments they are apt to entertain of their own talents. I knew a stuttering alderman in London, a great frequenter of coffeehouses, who, when a fresh newspaper was brought in, constantly seized it first, and read it aloud to his brother citizens; but in a manner as little intelligible to the standers-by as to himself. How many pretenders to learning expose themselves, by choosing to discourse on those very parts of science wherewith they are least acquainted! It is the same case in every other qualification. By the multitude of those who deal in rhymes, from half a sheet to twenty, which come out every minute, there must be at least five hundred poets in the city and suburbs of London: half as many coffeehouse orators, exclusive of the clergy, forty thousand politicians, and four thousand five hundred profound scholars; not to mention the wits, the railers, the smart fellows, and critics; all as illiterate and impudent as a suburb whore. What are we to think of the fine-dressed sparks, proud of their own personal deformities, which appear the more hideous by the contrast of wearing scarlet and gold, with what they call toupees[1] on their heads, and all the frippery of a modern beau, to make a figure before women; some of them with hump-backs, others hardly five feet high, and every feature of their faces distorted: I have seen many of these insipid pretenders entering into conversation with persons of learning, constantly making the grossest blunders in every sentence, without conveying one single idea fit for a rational creature to spend a thought on; perpetually confounding all chronology, and geography, even of present times. I compute, that London hath eleven native fools of the beau and puppy kind, for one among us in Dublin; besides two-thirds of ours transplanted thither, who are now naturalized: whereby that overgrown capital exceeds ours in the articles of dunces by forty to one; and what is more to our farther mortification, there is no one distinguished fool of Irish birth or education, who makes any noise in that famous metropolis, unless the London prints be very partial or defective; whereas London is seldom without a dozen of their own educating, who engross the vogue for half a winter together, and are never heard of more, but give place to a new set. This has been the constant progress for at least thirty years past, only allowing for the change of breed and fashion. The poem is grounded upon the universal folly in mankind of mistaking their talents; by which the author does a great honour to his own species, almost equalling them with certain brutes; wherein, indeed, he is too partial, as he freely confesses: and yet he has gone as low as he well could, by specifying four animals; the wolf, the ass, the swine, and the ape; all equally mischievous, except the last, who outdoes them in the article of cunning: so great is the pride of man!
PART OF A SUMMER SPENT AT GAULSTOWN HOUSE, THE SEAT OF GEORGE ROCHFORT, ESQ. DRAMATIS PERSONAE
With a whirl of thought oppress'd, I sunk from reverie to rest. An horrid vision seized my head;
I will not build on yonder mount; And, should you call me to account, Consulting with myself, I find
Logicians have but ill defined As rational, the human kind; Reason, they say, belongs to man,
That you, friend Marcus, like a stoic, Can wish to die in strains heroic, No real fortitude implies:
The rod was but a harmless wand, While Moses held it in his hand; But, soon as e'er he laid it down,
To the Tune of "Derry Down." Jolly boys of St. Kevan's,[2] St. Patrick's, Donore And Smithfield, I'll tell you, if not told before,
Queen of wit and beauty, Betty, Never may the Muse forget ye, How thy face charms every shepherd,
BY SIR ARTHUR ACHESON. 1728 Good cause have I to sing and vapour, For I am landlord to the Drapier:
BY DR. SWIFT FROM India's burning clime I'm brought, With cooling gales like zephyrs fraught.
While, Stella, to your lasting praise The Muse her annual tribute pays, While I assign myself a task
Pallas, observing Stella's wit Was more than for her sex was fit, And that her beauty, soon or late,
Dear Dean, I'm in a sad condition, I cannot see to read or write; Pity the darkness of thy Priscian,
Tim[2] and Dick had equal fame, And both had equal knowledge; Tom could write and spell his name,
Traulus, of amphibious breed, Motley fruit of mongrel seed; By the dam from lordlings sprung.
If it be true, celestial powers, That you have form'd me fair, And yet, in all my vainest hours,
Hither from Mexico I came, To serve a proud Iernian dame: Was long submitted to her will;
A paper book is sent by Boyle, Too neatly gilt for me to soil. Delany sends a silver standish,
My latest tribute here I send, With this let your collection end. Thus I consign you down to fame
(Horace speaking.) You've read, sir, in poetic strain, How Varus and the Mantuan swain
Shall then my kindred all my glory claim, And boldly rob me of eternal fame? To every art my gen'rous aid I lend,